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GIOTTO di Bondone
The Devils Cast out of Arezzo (mk08)
c.1296-1297
Freso,Assisi,
San Franceso.
Upper Church
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GIOTTO di Bondone
Crucifixion (mk08)
1303-1305
Fresco.Padua,
Arena Chapel
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GIOTTO di Bondone
The Marriage Procession of the Virgin (mk08)
1303-1305
Fresco.Padua,Arena Chapel
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GIOTTO di Bondone
View of the Church of San Francesco dfg
established in 1228
Convent of San Francesco, Assisi
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GIOTTO di Bondone
The Chapel viewed from the entrance dfg
1303-06
Cappella Scrovegni (Arena Chapel), Padua
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GIOTTO di Bondone
The Chapel viewed towards the entrance sdg
1303-06
Cappella Scrovegni (Arena Chapel), Padua
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GIOTTO di Bondone
Vault fgt
1303-06
Fresco
Cappella Scrovegni (Arena Chapel), Padua
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GIOTTO di Bondone
View of the Peruzzi and Bardi Chapels fh
Santa Croce, Florence
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GIOTTO di Bondone
Navicella xh
1305-13
Oil on canvas, 740 x 990 cm
Fabbrica di San Pietro, Rome
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GIOTTO di Bondone
Navicella ssh
1305-13
Pen on paper, 274 x 388 mm
Metropolitan Museum of Art, New York
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GIOTTO di Bondone
Tondo with Angel sh
c. 1310
Mosaic, diameter 65,5 cm
S. Pietro Ispano, Boville Ernica, Rome
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GIOTTO di Bondone
Anna and Joachim Meet at the Golden Gate (mk08)
1303-1305
Fresco.c.185x200cm
Padua,Arena Chapel
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GIOTTO di Bondone
The Lamentation of Christ (mk08)
1303-1305
Fresco.c.185x200cm
Padua,Arena Chapel
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GIOTTO di Bondone
St Francis Giving his Cloak to a Poor Man (mk08)
Fresco.
270x230cm
Assisi,
San Francesco.
Upper Church
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GIOTTO di Bondone
Enthroned Madonna with Saints (mk08)
c.1305-1310
Tempera on wood,
325x204cm
Florence
Galleria degli Uffizi
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GIOTTO di Bondone
Joachim Takes Refuge in the Wilderness (mk08)
C.1303-1305
Fresco.c.185x200cm
Padua,
Arena Chapel
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GIOTTO di Bondone
Francis Receiving the Stigmata (mk05)
Wood 123 1/4 x 64 1/4''(313 x 163 cm).From the Church of San Francesco in Pisa entered the Louvre in 1814 INV
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GIOTTO di Bondone
Coretto (mk14)
1305
Fresco
Cappella degli Scrovegni,Padua
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GIOTTO di Bondone
The Lamentation (nn03)
c 1305 Fresco 200 x 185 cm 78 3/4 x 72 7/8 in Cappella dei Scrovegni,Padua
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GIOTTO di Bondone
Last Judgement
mk68
Fresco
Padua
Arena Chapel
c.1306
Italy
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| GIOTTO di Bondone
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Italian Early Renaissance Painter, 1267-1337
Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
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